Susan Glaspell's Trifles The title of Susan Glaspell's drama Trifles indicates that it will deal with seemingly small matters: as Mrs. Hale says of the pivotal prop in the stage-play -- "Wouldn't they just laugh? Getting all stirred up over a little thing like a -- dead canary!" (Glaspell 27-8). Yet Mrs. Hale's sense that, if a male audience could see her dialogue with Mrs. Peters in Trifles by Susan Glaspell, they would fail to understand Glaspell's use of the songbird as a symbol of the plight of disenfranchised woman. Glaspell wrote Trifles in 1916, four years before the Nineteenth Amendment gave American women the right to vote. I wish to show that, although Glaspell's play long predates the feminist slogan "the personal is the political," she nonetheless uses symbolism that works on both a personal and political level, to make a statement about the condition...

The setting of the play is the scene of a crime: Hale had discovered a murder in this "now abandoned farmhouse" whose "signs of incompleted work" testify to the heavy burden of labor demanded of the nineteenth century housewife (3). It is the women who recognize these things as hard work: Mrs. Hale will note with condolence that "her fruit: it did freeze" when the burst jam jars are discovered in the cabinet (9). The Sheriff responds with paternalistic dismissiveness: "Well, can you beat the women? Held for murder and worrying about her preserves" (9). Hale's response chimes with the play's title: "Well, women are used to worrying over trifles" (9). Yet…